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Watchhouse Special Duo Set with Yasmin Williams

SHAFTMAN PERFORMANCE HALL

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"Under their new guise, their typical pristine acoustic picking collides with hazy, dream-like psychedelia in “Better Way,” which comes to a lovely, droning coda in its final two minutes. Sometimes a little change (or a major one, in this case) is just the thing to recharge the creative batteries.” - Rolling Stone

Over a year after Andrew Marlin and Emily Frantz of Watchhouse (formerly known as Mandolin Orange) reintroduced themselves on their 2021 self-titled LP, the pair shared a special surprise release: Watchhouse (Duo), a self-produced recording of Marlin and Frantz performing the most elemental possible arrangements of all nine songs from Watchhouse. It’s a project that captures the fundamental power of Watchhouse: Two singers and musicians with profound chemistry, performing earnest yet masterfully crafted songs that encompass the unknowable mysteries, existential heartbreak, and communal joys of modern life.

Starting over a decade ago playing coffee shops and local restaurants around North Carolina, Watchhouse is a grassroots success story that's been driven by Marlin's poignant songwriting. They’ve sold out iconic venues (Red Rocks, Ryman Auditorium) and attract hundreds of millions of streams while producing exploratory music that "redefines roots music for a younger generation" (Washington Post).

2022 was filled with many endeavors including the American Acoustic Tour with Punch Brothers, headlining shows across the US, collaborating with Planet Bluegrass on Mabon, an autumn equinox concert series, and of course Watchhouse (Duo). In 2023, Marlin and Frantz will celebrate the release of Watchhouse (Duo) with a short run of shows that will feature just the two of them, harkening back to their earliest days of performing.

YASMIN WILLIAMS

Based in Alexandria, VA, Yasmin Williams is an acoustic fingerstyle guitarist and film composer. She has an unorthodox, modern style of guitar playing and utilizes various techniques including alternate tunings, percussive hits, and lap tapping in her music to great effect. Her “radiant sound and adventitious origins have made her a key figure in a diverse dawn for the solo guitar” (The New York Times). Williams’s music has been described as rich, harmonious, and “in a lot of ways, the joy and possibility she brings to the guitar reminds me more of Eddie Van Halen than any of the other fingerstyle guitarists to whom she's compared” (NPR Music).